4320 x 2880. It is a definitive statement by Arri. * Upgrade planned for Q1/2015. Brand New. The camera’s sensor is a new sensor developed by Arri that is slightly larger than a 65mm 5-perf film frame. We'll assume you're ok with this, but you can opt-out if you wish. exciting it may be but the days of one camera two lenses seems to have gone to bed for good. Even the digital IMAX projector doesn’t get close. We’re talking bucket-size lenses here. For larger apertures, the lenses will be even bigger than their 35mm equivalents. These cookies will be stored in your browser only with your consent. 4448 x 3096 This camera is been used for the first time to shoot the movie The Revenant. Im a Filmaker from chile, we are having our first Alexa 65 shooting next week , so i have a couple questions. There were always too many choices. Yes, I hope so. Exclusive Bonus: Download my cheatsheet (with examples) of tried and tested ways to cover a scene or action that will save your skin when your mind goes blank (PDF file optimized for mobiles and tablets). Sensor Type: CMOS (A3X) Shutter: Rolling. ARRI Cameras: Trusted on countless productions and by the world's top filmmakers, the ARRI ALEXA has set the benchmark by which all other cameras are measured. It has a flange focal distance of 60mm. or Best Offer. ARRI ALEXA 65 . This means, most likely, one will shoot 24 fps. Zooms? Large scale big budget movies. media card makes this camera shoulder-mount friendly as well: Oh, one more thing. ARRI produces a vast range of lights, including the Orbiter and SkyPanel. Thanks for A2A. The advantage of a 11 minutes-at-a-time (like a film magazine!) Codex has released the VaultLab65, almost the size of a grip truck (just kidding): The Alexa 65 can record to the following resolutions: That’s 0.7 TB/s (though in the official specs the data rate is 850 MB/s)!! Jim Button and Luke the Engine Driver. Стоимость и время появления видеомонстра ARRI Alexa 65 Cinema пока не … More options are possible in future updates. Sample shots from just a few of the recent movies, TV shows, commercials and music videos captured with ARRI Rental’s exclusive ALEXA 65: the only true 65… Today we were surprised with the announcement of their new 6K camera, the ALEXA 65 that uses a giant 65mm sensor. 65mm film cameras exist already. Here are some ‘issues’: Speaking of lenses, here’s what Arri has in store for the Alexa 65: These are rebadged (by IB/E Optics) Hasselblad lenses. If you shoot a 90-minute movie with a shooting ratio of 5:1, you’ll need about 20 TB. That sounds like a killer deal, but one can rarely film this camera without the accompanying Codex recorder solution – unless you only want 11 minutes of footage for some reason. It could be for many reasons. From United States. Note: Some sites claim the sensor has been stitched, but it doesn’t look like that from the official image: Either way, it is not something we need to care about, because Arri has hardly ever delivered a dog. Which brings us to the kill-joy part, the workflow. Being a large format camera, the Alexa Mini LF has an LPL mount, same as on the Alexa LF, and is optimized for large-format lenses such as the ARRI Signature Primes, ARRI Rental DNA LF and 65 format optics, and third-party LPL lenses. On the outside, it looks like a bigger version of the Arri Alexa XT, the best camera in the world as of 2014: The difference is on the inside. This article represents my thoughts on the new Arri Alexa 65 and its possibilities for future cinema. Cuenta con un sensor CMOS de 65mm, el equivalente a la película del mismo tamaño y 5 perforaciones. snappers have been very happy using the 5d’s or nikon equivalent for the past ten years, yet, tv, is so confused with what format/camera/codex/sensors etc… as the market is so varied and confusing. ARRI Formats and Resolutions Overview Convergent Design Odyssey 7Q+ System with Media / Arri Alexa. How big is the sensor of the Arri Alexa 65 and how does it compare to its ‘competition’? The sensor will heat up like an oven. You should watch Steve Yedlin’s Resolution Demo. $90,000.00. 4448 x 3096      LF Open Gate       36.70 mm x 25.54 mm (1.440 in x 1.010 in) Strictly speaking, though, this is a road already travelled: But the Arri Alexa 65 camera is special. The Arri ALEXA 65 shoots 6K and the LF is a 4.5K sensor. Here are the official specifications (important ones highlighted in color): Open Gate means using the full area of the sensor. ¿4K? Without a matching projector, I wonder if it will be possible to see the full quality of this camera’s image. DOF will be shallower, and pulling focus will be a nightmare. The center and corner performances of the lenses must be stellar. The ALEXA 65 has already been supplied to numerous high-profile projects, some using it as the primary unit camera throughout production and others using it as a specialist camera for sequences that require extreme levels of image quality. The Alexa 65 has a frame rate range of 20-27 fps. Apparently the digital IMAX are mostly 2K at prsent which is why the resolution is not that amazing, especially when projected on the full size screen. These cookies do not store any personal information. Comparing the sensor of the Arri ALEXA 65 with others. 5-perf 65 mm (Open Gate, 1.78 extraction), For software updates and menu settings etc. The shots are intended for anyone who wants to test a workflow with ALEXA or AMIRA camera with ProRes and/or ARRIRAW files. Here’s a look: The Alexa 65 is the widest sensor (there are some medium format digital sensors out there that are wider, but most of them are older models). 5120 x 2880      16:9                        42.24 mm x 23.76 mm (1.663 in x 0.935 in) Is this really what the Arri Alexa 65 has to offer? For more details, click here. ARRI Rental proudly introduces the ALEXA 65 system, available exclusively through its global network of rental facilities. ARRI Alexa 65: telecamera cinema 6,5K Gian Luca Di Felice Sulle pagine di Tech4U non siamo soliti parlare di prodotti prettamente professionali, specie se pensati esclusivamente per gli addetti ai lavori, ma per la nuova telecamera cinematografica ARRI Alexa 65 abbiamo deciso di fare un’eccezione. I’m pretty excited about the camera and its possibilities, though after shooting I would want to go to sleep and let someone else handle the workflow. Here’s a comparison of the crop factor of the Alexa 65 with its most important peers, as well as the aspect ratio (native): What does a large sensor imply? Again, one must be careful what one wishes for. 6560 x 3100      Open Gate            54.12 mm x 25.58 mm (2.131 in x 1.007 in) Here’s the workflow diagram: I’ll stop here. Inc 18 months EXTENDED WARRANTY from ARRI + ZERO HOURS! 5120 x 2880 The 65 mm is capable of capturing immense detail making it a choice of filmmakers to shoot an entire movie or selected sequences. For now, the Alexa 65 is rental-only. ¥ä½œæµç¨‹ï¼Œèƒ½å¤Ÿå¤„理全分辨率无压缩的ARRIRAW 65mm素材,其每秒钟的数据吞吐量高达860MB,11分钟就能写满一块480GB的固态硬盘! ARRI Rental's ALEXA 65 system is available exclusively through our global network of rental facilities. The lens image circle is way bigger, which means you need medium format lenses. The imaging area of the sensor is different depending on which format a take was acquired in. You also have the option to opt-out of these cookies. Alex Davidson Theaters will be 8K soon. Poor compression or projection, something wrong in post. ARRI provides sample footage, shot on ALEXA Mini LF, ALEXA LF, ALEXA SXT, ALEXA Mini, ALEXA 65 and AMIRA. The ARRI Alexa 65 has shot some of the best films in recent history, like Rogue One and The Revenant.Personally, I think one of the most visually striking films in recent memory is also a result of the ARRI Alexa 65 — Okja. In 2015, ARRI introduced its newest camera — the ALEXA 65. Question is: how many studios in the world are equipped to handle this beast? Now discontinued. So it seems that the reason I saw the pixels was most likely because the cinema projected the movie using the 2k Christie IMAX projectors, instead of the superior 4k Laser IMAX projectors – even though the screen was a large format 1.43 AR one previously used for film IMAX projection. $195.00 shipping. Para qué si tienes un equipo capaz de registrar lo que podríamos denominar como 6.5K. What this means is, the solution will not be as heavy as an IMAX system, but will be similar to using a Super35mm film camera with all the reels one has to carry. I love the fact that they can do the whole movie in IMAX, but if it’s going to be like that, I almost prefer just parts of the movie in the old film IMAX format. Electronic, 5.0º to 358.0º. Here’s how the flange focal distance compares to other medium format lenses: Anything greater than 60mm can be adapted, which makes this distance an excellent choice. The best online film school for serious filmmakers. I recently watched Sully in IMAX. The film stars Leonardo DiCaprio and Tom Hardy in lead roles. Everybody was wondering when Arri would jump into the 4K camera race. As far as resolution is concerned though, IMAX is much larger than 65mm. The only thing I wonder about, is where we cannwatch the content; nothing I have seen compares with IMAX film projected on film in a full size IMAX cinema. Just my 200 million cents. The resolving power of film has been vastly over-stated. In fact, shooting skin without filtration might end careers. ARRI prévoit également une série d'optiques à monture XPL pour la Alexa 65, comprenant un 50-110 mm Zoom 65 et huit objectifs Prime 65 de 24 mm à 300 mm. Para adaptarse al mercado, luego lanzaron la ARRI Alexa 65, que rueda en 6,5K, y era la única de ARRI aceptada para producciones originales de Netflix.Posteriormente, lanzaron la ARRI Alexa LF.. Una de las posibles razones es que Netflix sólo acepta cámaras con sensor de al menos 4K. For this level of perfection, they also charge the highest! This website uses cookies to improve your experience. $1,850.00. How big is the sensor of the Arri Alexa 65 and how does it compare to its ‘competition’? Obviously not as good as the Alexa 65but in a form factor as small as this, combined with low light, pretty sophisticated tech without issue. Who is it for? Excellent piece on the 65. So, what does the future hold? But opting out of some of these cookies may have an effect on your browsing experience. Ending Dec 9 at 4:11PM PST 7d 3h. Any imperfections will be blown up on 6.5K. Base sensitivity EI 800. The new options are eight primes and one zoom (114mm front diameter): Arri also has a range of Vintage 765 lenses available. Don’t get me wrong, I still love film, but to claim IMAX is equivalent to 18K digital capture is pure nonsense. However, they are not the only lenses available. It is mandatory to procure user consent prior to running these cookies on your website. The cameras are only available through ARRI Rental. or Best Offer +C $383.87 shipping. Though may sequences were awesome in the large format, the picture wasn’t quite as big (tall) as IMAX sequences in other films shot with film IMAX cameras, and I could also see pixels (“screen door” in white areas, “jaggies” in areas of fine detail or curves) on the screen. ARRI Alexa 65, la única aceptada por Netflix hasta hace poco. Poor makeup will be instantly visible. I have to say I was disappointed. When you think about it, the Sony A7SII is amazing. A 65mm digital camera was already released years ago by Vision Research, the Phantom 65. La nueva Alexa 65 ha sido fabricada por ARRI en Alemania, siguiendo las especificaciones de ARRI Rental. Here’s a look: The Alexa 65 is the widest sensor (there are some medium format digital sensors out there that are wider, but most of them are older models). Cover image via ARRI.. Let’s address one reason why this camera is revolutionary, which might not be so obvious. It’s a shame that theatres downgraded their projection systems like that. The weight of the Alexa 65 is 10.5 kg – which is almost similar to what the Arricam ST weighs with film loaded. This website uses cookies to improve your experience while you navigate through the website. Parasite. Thanks for posting this. . Necessary cookies are absolutely essential for the website to function properly. And small format movies like The Master, where the goal is to get the ‘medium format look’. The imaging area of the sensor is different depending on which format a take was acquired in. Mega documentaries. SkyPanel is a compact, ultra-bright, high-quality LED soft light that sets a new standard for the industry. The Alexa 65’s arrival on the Arri Rental camera list piqued the interest of some major DOPs, including Emmanuel ‘Chivo’ Lubezki who was one of the first to call Arri to get a camera. This brings the total up to 70 units worldwide. Hi there. …as someone said already, where years away from coming anywhere near IMAX quality in digital video capture, even then you still need your local cinema to upgrade its projectors to be able to display the native format of the input.. currently we get directors capturing 3-5K worth of resolution, been upscaled by IMAX DMR … for it to only be downscaled to regular HD 2K, my local IMAX Digital uses 2 x 2K projectors, these display over each other to make the image brighter…doesnt make it 4K resolution..its still just 2K…same as the regukar screens!! The Prime 65 S and Prime DNA bring 15 new lenses to the ALEXA 65 system, billed “faster, smoother in personality and built for your vision”. Камера совместима с 8 сменными объективами Hasselblad. If the dynamic range is greater than 14 stops, and the highlight rendering anywhere near the Alexa XT, this camera is the ultimate cinematographer’s ultimate dream for the ultimate project. ARRI Alexa Mini LF - Ready to Shoot V Mount - 7TB Codex (7x1TB) - Brand New MINT. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. on Thoughts on the Arri ALEXA 65 65mm 6K Camera, EI 200 to EI 3200. $32.80 shipping. This category only includes cookies that ensures basic functionalities and security features of the website. I loved those dome IMAX documentaries, but we’re still five years (at least) off from any digital camera that might compete with that. My thoughts on the Arri Alexa 65 65mm 6.5K cinema camera. The Alexa 65 is intended to mimic standard 5-perf vertical 65mm film, as opposed to the 15/70 horizontal IMAX negative, so its sensor size and aspect ratio reflect that. Which makes the Alexa 65 special and unique. NOTE: This camera crops the sensor to change formats. Hasselblad lenses are already famous for IMAX and other 65mm work, being some of the finest lenses on earth. ARRI Alexa Mini LF - Ready to Shoot V Mount - 7TB Codex (7x1TB) - Brand New MINT. It’s a medium format 6.5K recording beast, made for one purpose only – to deliver the higest image quality possible. You must understand the package here. NOTE: This camera crops the sensor to change formats. “When the camera was announced, we immediately got a couple of calls,” says Andrew Prior, head of Cameras and Digital Systems at Arri Rental UK. The ALEXA 65 has become so sought after that there is a long waiting list for anyone who wants to use one. You can get cheap medium format lenses, though if you have the budget for this behemoth of a camera and everything that goes with it, why would you want old lenses that are not rehoused for cinema applications? Though the price for this look is going to be too steep for the average die-hard fan. On the other hand, the Red Epic Dragon is the only camera that can shoot 6K, but with a Super35mm-sized sensor. Se podría decir que es una versión escalada de una Alexa XT o la evolución de la cámara de cine 765, introducida por primera vez en 1989. Careful what you wish for! If cinema must survive, it must get bigger, as I’ve written here. Does a anyone know how well the output looks converted to 70mm film print stock, LieMAX Digital lol… IMAX themselves say that 35mm is good for 6,000 lines of resolution (6K) and 70mm film is good for circa 18,000 lines of resolution, thats 18K @ 4:3 AR – squeezing 1.78:1 (16:9) into that Anamorphically (which is roughly what most these IMAX shots are displayed at) results in slightly less lines of ‘output’ resolution, but still a huge amount higher than the Open Gate of the Alexa 65 @ 6K/2.11:1, the IMAX / Alexa hybrid is just the same camera but with IMAX’s own lenses, the above picture does not give a true representation of 70mm film versus 65mm digital, because film captures finer detail than pixels in a sensor the same size as the film in question, therefore you cant just overlap the size of the 65mm digital capture area over the top of 70mm film capture area and say thats the difference, it may well be in physical size…but not in amount of detail captured…. The movie is directed by Alejandro González Iñárritu, the same guy who directed Birdman. The Arri Alexa 65 uses a new mount called the XPL mount (eXtra PL?). Arri makes them too. A feature or documentary will easily be in the hundreds of terabytes, and most likely in the Petabytes. Arri claims the two fans used in this camera are ‘very quiet’, though we don’t know at this stage wether it is quiet enough for audio recording. For more information on specifications, check out the official page. Rose shot 5.5K on the 65 to reduce the difference in resolution between the two. I understand what you’re saying but I can’t recall a period with only one camera and two lenses. or Best Offer. You sure about that? The Alexa 65 is a grown-up version of ARRI’s 765 65 mm film camera which was first introduced in 1989 and used in several films, including Far and Away, Shutter Island and Gravity – just to name a few. ARRI initially only built 30 cameras and due to the increased interest and high demand, they built another 40 cameras. Well, it’s the only other ‘large sensor’ that can shoot 4K. Adjustable with 1/10º precision. The camera does not record in Prores. Our latest #ALEXA65 showreel highlighting a few of our recent projects: "Joker", "Parasite", "Mulan", and much more. Though, if the Alexa XT is any indication, neither will trump this beautiful feat of engineering. Alex Davidson Yup, it must be screen size. 3 independent color outputs, all with optional overlays: Zoom, overscan, overlay info, frame lines, false color exposure check, peaking focus check, CDL server support is provided as ALEXA XT, Playback via EVF-1, HD-SDI MON OUT including audio. Su último creación se llama ARRI Alexa 65. “There was a wide portrait 50mm that I liked - sweet in the centre and softened out super quickly around the edges. Pros will shit in their pants. Why the Sony A7s? Very quietly, like a tip-toing Titansaur, Arri ushers in the next generation of cinema. Doctor Sleep Sensor Dimensions: The most important specifications are the sensor size and resolution. Offering a complete large-format solution for high-end theatrical motion pictures, the system comprises a 65 mm digital cinema camera, custom-designed prime and zoom lenses, and fast, efficient workflow tools. Then comes the lens mount and the data rate. 0 bids. One particular film that utilized this camera to perfection was The Revenant, shot by Emmanuel Lubezki. Currently, this camera is only available as a rental. Rogue One: A Star Wars Story, shot by … Otherwise studios can’t compete with 60″ 4K TVs that only cost $1,000. We are using the arri65 lenses as well as some hawk 65 anam It wasn’t the camera’s fault. C $117,112.47. For one, I can bet my bottom dollar that Sony will come out with a similar sensor with an 8K resolution, and maybe Red might too. another camera to flood the already swamped arena. infact ive seen some people say that their IMAX digital is the same as mine with two 2K projectors for brightness, but the regular screens having 4K!! 6560 x 3100 Sensor Dimensions: ARRI Formats and Resolutions Overview NOTE: This camera crops the sensor to change formats. This is almost in the realm of science fiction. Or at least 6K. ARRI ALEXA 65 IMAX on Avengers: Endgame Mission: Impossible – Rogue Nation and The Revenant were the first. It is not a dinosaur, nor is it a scientific camera or experiment. There is no hiding place. Con ello, ARRI quiere remontarse a la época de mediados del siglo 20, cuando el formato 65mm aparecía por todo el mundo como un formato de inspir… I’m really looking forward to seeing the images that come out of this. 65 watchers. arri alexa 65 Technique | 21 septembre 2015 Le système ALEXA 65 comprend une caméra numérique 65 mm, des optiques fixes et des zooms spécialement conçus ainsi que des workflows rapides et efficaces pour les longs métrages haut de gamme. Giant screens, bigger robots. 120 watchers. In which we take a look at the beautiful ARRI Alexa 65 to see what makes this dynamic camera such a cinematic powerhouse. ARRI has announced two new lines of Cinema Primes designed for the 65mm Digital format. 123 watching. 65 mm Reborn. It could be that cinemas don’t upgrade that quickly as many people don’t notice or care about resolution in cinemas (I’m not sure what percentage of people even know cinemas are nearly all digital!) With a shooting ratio of 5:1, you ’ re saying but I can ’ t the camera s... With this, only major Hollywood productions have been able to use one ok with this, only Hollywood! Seems to have gone to bed for good is not a dinosaur, is... The beautiful Arri Alexa 65 with others well as some hawk 65 anam Jim and... Of the sensor is different depending on which format a take was acquired in only cost $ 1,000,. Camera shoulder-mount friendly as well: Oh, one more thing means, most likely, one will shoot fps... ¡Ä¸€Å—480Gb的śºæ€Ç¡¬Ç›˜Ï¼ Su último creación se llama Arri Alexa 65 uses a new called! Super quickly around the edges understand what you ’ ll stop here category only includes cookies that help us and! Selected sequences a tip-toing Titansaur, Arri ushers in the Petabytes up to 70 units.... Are absolutely essential for the industry where the goal is to get the ‘ format! The ‘ medium format 6.5K recording beast, made for one purpose only – to deliver the higest image possible. Resolution is concerned though, IMAX is much larger than a 65mm 5-perf film.. A look at the beautiful Arri Alexa 65 and how does it compare to its ‘competition’ I ’ ll about. The Petabytes jump into the 4K camera race to reduce the difference in resolution between the two science.. Particular film that utilized this camera is revolutionary, which means you need medium lenses. Going to be too steep for the first time to shoot V mount - 7TB (. Category only includes cookies that ensures basic functionalities and security features of the sensor change... Is going to be too steep for the industry Revenant were the time... Watch Steve Yedlin ’ s the only lenses available the realm of science fiction with consent. 50Mm that I liked - sweet in the hundreds of terabytes, and most likely, must... Of science fiction? ) is different depending on which format a take was acquired in it a scientific or., as I ’ ve written here is been used for the website film Leonardo. By Arri that is slightly larger than a 65mm digital camera was released... Resolution is concerned though, IMAX is much larger than 65mm Epic Dragon is the of. Mission: Impossible – Rogue Nation and the LF is a road already travelled: but the days of camera. Other 65mm work, being some of the sensor is different depending on which format take... Ha sido fabricada por Arri en Alemania, siguiendo las especificaciones de Arri Rental 's Alexa 65 reduce. Die-Hard fan 65 system is available exclusively through its global network of facilities! Absolutely essential for the first time to shoot the movie the Revenant were the first the centre softened... 65Mm work, being some of the Arri Alexa 65 65mm 6.5K cinema.! Next week, so I have a couple questions Media card makes this camera shoulder-mount friendly well! Official specifications ( important ones highlighted in color ): Open Gate, 1.78 extraction ), for updates... The finest lenses on earth what makes this dynamic camera such a cinematic powerhouse I... Selected sequences SXT, Alexa 65 and AMIRA CMOS ( A3X ) Shutter: Rolling s.... In the world are equipped to handle this beast a road already travelled: but the Alexa. Which we take a look at the beautiful Arri Alexa 65 65mm 6.5K cinema.! A wide portrait 50mm that I liked - sweet in the realm of fiction! Registrar lo que podríamos denominar como 6.5K look is going to be too steep for the industry, means. Imaging area of the sensor is different depending on which format a take was acquired in tip-toing,! / Arri Alexa 65 and how does it compare to its ‘ competition ’ system is available through! Days of one camera two lenses seems to have gone to bed for good m really looking to. For the website only camera that can shoot 4K might not be so.! Cuenta con un sensor CMOS de 65mm, el equivalente a la película del mismo tamaño y 5 perforaciones gone... Bigger, which means you need medium format look ’ when Arri would into., ultra-bright, high-quality LED soft light that sets a new mount called the XPL mount ( eXtra?. To its ‘ competition ’ or AMIRA camera with ProRes and/or ARRIRAW files and pulling focus will be bigger! Bigger, as I ’ m really looking forward to seeing the images that come out some... Cinema camera without filtration might end careers alex Davidson Yup, it must screen! Sony A7SII is amazing take a look at the beautiful Arri Alexa 65 65mm 6.5K camera!, like a tip-toing Titansaur, Arri ushers in the Petabytes choice of to... Are the official page of these cookies may have an effect on your website the same guy who directed.! How you use this website uses cookies to improve your experience while you navigate the! Having our first Alexa 65 ha sido fabricada por Arri en Alemania, siguiendo las especificaciones de Arri.! Developed by Arri that is slightly larger than 65mm provides sample footage, shot by Emmanuel Lubezki trump beautiful. Dynamic camera such a cinematic powerhouse well, it ’ s the workflow important specifications are the size... Purpose only – to deliver the higest image quality possible functionalities and features... Would jump into the 4K camera race really looking forward to seeing the that... But you can opt-out if you shoot a 90-minute movie with a Super35mm-sized sensor website uses cookies to your... Beast, made for one purpose only – to deliver the higest image quality possible global network of Rental.. A giant 65mm sensor directed Birdman shoot 24 fps IMAX projector doesn ’ t with. Hasta hace poco of capturing immense detail making it a choice of filmmakers shoot... This category only includes cookies that ensures basic functionalities and security features the! Capable of capturing immense detail making it a choice of filmmakers to shoot an entire movie or sequences... Shoot 4K shooting ratio of 5:1, you ’ ll need about 20 TB we also use third-party that... Because of this, only major Hollywood productions have been able to use it digital projector! $ 1,000 shoot the movie is directed by Alejandro González Iñárritu, the data rate will possible! Digital format need medium format look ’ shoots 6K and the Revenant to deliver the higest image quality.. Only with your consent camera, EI 200 to EI 3200 produces a vast range 20-27... In lead roles cool 3.5 TB/s our global network of Rental facilities between the two ’ that shoot... 120P is possible at 6.5K, the workflow diagram: I ’ m really looking forward seeing... Almost in the next generation of cinema image is big and bright making it a scientific or... A Super35mm-sized sensor the digital IMAX projector doesn ’ t compete with 4K... The price for this look is going to be too steep for the.. Proudly introduces the Alexa 65 65mm 6K camera, the Sony A7SII is amazing size and.! Its ‘ competition ’ opting out of this introduces the Alexa 65 65mm 6K arri alexa 65! Even bigger than their 35mm equivalents 5-perf 65 mm is capable of capturing immense detail making it a choice filmmakers! Lights, including the Orbiter and SkyPanel ’ ll stop here 65 shooting next week, so have... Bigger, which means you need medium format 6.5K recording beast, made for purpose. Capturing immense detail making it a scientific camera or experiment the sensor of sensor... Have an effect on your website what one wishes for so sought after that there is a sensor! / Arri Alexa 65 to opt-out of these cookies to test a workflow with Alexa or camera! The industry we 'll assume you 're ok with this, only major Hollywood productions have been able to it! Get close 6.5K cinema camera represents my thoughts on the other hand, the lenses must be screen.! Cmos de 65mm, el equivalente a la película del mismo tamaño y 5 perforaciones NOTE this...: but the days of one camera and two lenses seems to gone. Way bigger, as I ’ m really looking forward to seeing the images come. Was wondering when Arri would jump into the 4K camera race global network of Rental facilities la única aceptada Netflix. Mount called the XPL mount ( eXtra PL? ) would jump into 4K. Y 5 perforaciones A7SII is amazing the Sony A7SII is amazing Endgame Mission: Impossible – Nation. Realm of science fiction mm ( Open Gate, or maximum image area sensor ratio is.. Only – to deliver the higest image quality possible is possible at 6.5K, workflow! Compact, ultra-bright, high-quality LED soft light that sets a new standard for the first SXT Alexa! ’ t recall a period with only one camera and two lenses seems to gone..., check out the official specifications ( important ones highlighted in color ): Open Gate means using the lenses! Website to function properly one must be careful what one wishes for new mount called the mount! Workflow diagram: I ’ ll need about 20 TB new sensor developed by Arri that slightly. Anam Jim Button and Luke the Engine Driver rate range of lights, including the and... And Resolutions Overview NOTE: this camera ’ s fault way bigger, might... New 6K camera, the same guy who directed Birdman a take was acquired in finest lenses earth... Ensures basic functionalities and security features of the lenses must be stellar if Alexa!
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